Guitarist Shawn Tubbs demos a dBooster in his home studio using a Royer R-10 ribbon mic and a Shure SM57 dynamic mic on acoustic guitar (tasty playing!). The dBooster is the industry’s cleanest in-line preamp for studio use and driving long cable runs on live stages.
Two R-122 MKIIs mounted on a stereo bar, using the rear side of both mics with bass cut switches engaged. Both mics fed into a Manley Force mic preamp (high pass filter at 120hz), into a TK Audio stereo equalizer with 2db of boost at 12k, into a TK Audio stereo compressor set to a 2:1 ratio with very slow attack and release times and less than 2db of gain reduction. Pro Tools AIR Reverb.
In this video, Los Angeles session guitarist and multi-instrumentalist Andrew Synowiec demonstrates how he uses two R-122 MKll’s, permanently mounted on a movable stereo bar, to record all of his acoustic instruments in his Los Angeles based George Augspurger-designed House of Syn Studio.
Darlingside came into our Pop-Up studio with a few friends and a ton of energy, worked out the final details of the song on the spot, then killed it in this beautiful take.
Engineers: Dan Ankney, Nathan Heironimus
Mixed by Dan Ankney
Recording Chain: Royer Labs and Mojave Audio microphones fed into Universal Audio 8p’s. Recorded to Pro Tools.
Sweetwater Studios, Royer Labs and Mojave Audio set up a portable Pop-Up studio in a hotel conference room at the 2016 Folk Alliance Convention in Kansas City and recorded a number of artists and groups attending.
Producer: Fab Dupont. Engineer: Meredith McCandless
When our friend Fab Dupont set out to record singer/songwriter Will Knox’s album “The Matador And The Acrobat” with engineer Meredith McCandless, they decided to track the album entirely with Royer ribbons (except for a condenser on Will’s vocal and a dynamic on the snare). Here is a behind-the-scenes look at the recording process that Fab and company so kindly put together for us.
Vocals & Guitar: Will Knox
Violin: Clayton Mathews
Banjo: Kyle James Houser
Standup Bass: Chris Anderson
Drums: Timur Yusef
Puremix.net is an educational website featuring a wide assortment of videos on recording, mixing, mastering and much more. Puremix.net was created by Fab Dupont; his partners in Puremix now include Ben Lindell and Ryan West.
Producer: Shawn Sullivan. Engineer: Kyle Homme.
Recorded to Pro Tools at World Class Audio, Anaheim, CA.
One backward R-121 on vocals and acoustic guitars. Two R-121’s on drum overheads.
Sean Sullivan was the original discoverer of the backward R-121 recording technique. Due to our patented offset ribbon element, the back side of the microphone is slightly brighter than the front side when placed within 3 ft of any sound source.
Recorded by Steve Albini
Recorded at Electrical Audio, Chicago, IL.
In Royer’s early days, when many people didn’t understand ribbon microphones, Steve Albini was kind enough to make a number of educational recordings for us which we included on our first demonstration CD. Steve is a well-known, well-respected engineer who has plenty of experience with ribbon mics and thousands of engineers and producers have learned from these comparison recordings over the years.
Tape Op Magazine reviewed our Demo CD #1 and said this about Steve’s recordings:
“The ‘something special’ though is the Microphone Comparisons with Steve Albini at the end of the CD. Steve goes through and compares the R-121 to other mics (Coles 4038, SM57, etc.) and provides us with his wonderful dry commentary. We love ya Steve! Truly one of our favorite CDs at the studio these days.” -LC
All of Steve’s comparison tracks are here, along with his original commentary.
Saxophone (Coles 4038, R-121, close R-121, distant R-121)