Darlingside

Recorded live at the Folk Alliance Convention, in the Sweetwater/Royer/Mojave Pop-Up Studio

Stereo Room Mic – SF-24
Cello – SF-2
Violin & Violinist Vocal – SF-2
Acoustic Guitar (left, into small guitar amplifier) – R-122V
Foot Taps – Mojave Audio MA-100’s
Acoustic guitar (right) – Mojave MA-300
Vocals – Mojave Audio MA-1000, MA-300, MA-301

Darlingside came into our Pop-Up studio with a few friends and a ton of energy, worked out the final details of the song on the spot, then killed it in this beautiful take.

Engineers: Dan Ankney, Nathan Heironimus
Mixed by Dan Ankney

Recording Chain: Royer Labs and Mojave Audio microphones fed into Universal Audio 8p’s. Recorded to Pro Tools.
Sweetwater Studios, Royer Labs and Mojave Audio set up a portable Pop-Up studio in a hotel conference room at the 2016 Folk Alliance Convention in Kansas City and recorded a number of artists and groups attending.

Darlingside “Birds Say” (© Darlingside)

Fab Dupont / Will Knox

Acoustic Guitar – SF-1
Violin – R-121
Banjo – SF-2
Standup Bass – R-122
Drum Overhead – SF-24
Drums, Tom-Toms – R-122
Drums, Kick – R-122V
Drums, Hi-Hat – R-121

Producer: Fab Dupont.  Engineer: Meredith McCandless

When our friend Fab Dupont set out to record singer/songwriter Will Knox’s album “The Matador And The Acrobat” with engineer Meredith McCandless, they decided to track the album entirely with Royer ribbons (except for a condenser on Will’s vocal and a dynamic on the snare). Here is a behind-the-scenes look at the recording process that Fab and company so kindly put together for us.

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Vocals & Guitar: Will Knox
Violin: Clayton Mathews
Banjo: Kyle James Houser
Standup Bass: Chris Anderson
Drums: Timur Yusef

Visit Fab’s website at www.fabulousfab.com. Visit Flux Studios at www.fluxstudios.net.

Puremix.net is an educational website featuring a wide assortment of videos on recording, mixing, mastering and much more. Puremix.net was created by Fab Dupont; his partners in Puremix now include Ben Lindell and Ryan West.

 

Robert Friedrich on Recording The San Diego Symphony

Pianos (dual) – R-122V, R-122
Woodwinds – SF-2
Strings – SF-2
Hall Ambience – SF-24

Recording Engineer: Robert Friedrich
Producer: Erica Brenner

In this video, Grammy-winning engineer Robert Friedrich talks about using ribbon microphones extensively while recording the San Diego Symphony playing “The Carnival Of The Animals.” Of particular interest is his microphone technique on the dual pianos, which were positioned side-by-side and recorded with a pair of R-122V’s and a pair of R-122’s.

Pianists: Jon Kimura Parker and Orli Shaham

Videographer and Photographer: R Chaney

“Carnival of the Animals” (Camille Saint-Saens)

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Jonathan Merkel

Heavy Electric Guitar – R-122V

Producer/Engineer: Johathan Merkel

Guitarist/Producer/Engineer Jonathan Merkel shows how he records heavy electric guitar using an R-122V to capture his Mesa Boogie Uberschall amplifier. This song was recorded in Jonathan’s home studio, so the 1×12 Mesa cabinet was placed in a closet for isolation.

Jonathan shows complete signal paths for all phases of electric guitar recording and walks us through blending R-122V, SM-57 and DI tracks for his final guitar sound.

“Fuel the Fire” (Jonathan Merkel)

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Johathan’s company Beat Chamber is a Contemporary Song Catalog and Production company which produces and licenses music for film, TV and multimedia projects. http://www.beatchamber.com

Lukas Rossi and Kenny Aronoff

Drum Overhead – SF-24
Drum Rooms – SF-24, R-122V, R-122
Electric Guitar – R-121

Recorded by Ross Hogarth
Recorded at Sweetwater Studios, Ft. Wayne IN

Grammy winning Producer/Engineer Ross Hogarth gives a seminar on his techniques for recording drums and electric guitars with ribbon mics, showing mic placements and letting us hear mixed and isolated ribbon-recorded tracks.

Drums – Kenny Aronoff
Full mix, conversation about drum mic placement, then isolated ribbon-recorded tracks.
“Dreamer” (Lukas Rossi)
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Electric Guitar – Lukas Rossi
Full mix, conversation about electric guitar mic placement, then isolated ribbon-recorded tracks.
“Dreamer” (Lukas Rossi)
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Adam Del Monte

Classical Guitar – R-122V

Produced and Engineered by Adam Del Monte

From the Adam del Monte Performance Series.
Guitar built by Francisco Manuel Diaz, Granada.

Recording Chain: Audio on all videos recorded with one R-122V into a Millennia Media TD1 Half Rack Recording Channel, light EQ applied, into a Lexicon reverb.

Capricho Arabe by Francisco Tarrega

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Cordoba by Isaac Albeniz

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Recuerdos de la Alhambra by Francisco Tarrega

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Granada by Isaac Albeni

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Recording Electric Guitar Video Series with Ross Hogarth and Tim Pierce

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Grammy winning Engineer/Producer Ross Hogarth and session guitarist extraordinare Tim Pierce joined us to create an 8-part video series featuring an in-depth look at Hogarth’s electric guitar miking techniques. These videos are an excellent opportunity for recording engineers at all levels to learn new methods or brush up on some great guitar miking techniques.

 

Recording Electric Guitar, with Ross Hogarth and Tim Pierce. Session 1 of 8.
Divided by 13 amplifier into a Marshall 4-12 cabinet.

Introduction to blending a Royer Labs R-121 ribbon microphone with a Shure SM57 dynamic mic on electric guitar.

 

Recording Electric Guitar with Ross Hogarth & Tim Pierce. Session 2.
Marshall JCM 800 amplifier into a Marshall 4-12 cabinet.

R-121 and SM57 blend vs R-101 & SM57 blend

Two microphone blends are compared; a Royer Labs R-101 ribbon microphone and Shure SM57 dynamic mic, and a Royer R-121 ribbon microphone and Shure SM57 dynamic mic.

 

Recording Electric Guitar with Ross Hogarth & Tim Pierce. Session 3.
65 Blackface Fender Deluxe

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Blending a Royer Labs R-121 ribbon microphone with a Shure SM57 dynamic mic on a combo amp.

 

Recording Electric Guitar with Ross Hogarth. Session 4.

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Microphone Placement Techniques

In this video, Ross demonstrates his dual microphone positioning techniques on a guitar cabinet, then uses an open speaker to clearly show where to put mics and why he likes these positions.

 

Recording Electric Guitar with Ross Hogarth & Tim Pierce. Session 5.
Supro combo with 15-inch speaker.

Session 5

Another example of blending a Royer Labs R-121 ribbon microphone and a Shure SM57 dynamic mic, this time on a beautiful Supro combo amp with a 15-inch speaker. Very nice, warm vibrato on this amp.

 

Recording Electric Guitar with Ross Hogarth & Tim Pierce. Session 6.
Diezel head into a Marshall 4-12 cabinet.

In this video with Tim playing drop-tuned guitar, we compare an R-121 & 57 blend and an R-101 & 57 blend on a cranked up Diezel head through a 4-12 Marshall cabinet.

 

Recording Electric Guitar with Ross Hogarth & Tim Pierce. Session 7.
Magnatone Stereo Combo Amp

Session 7

Ross uses the R-121 & 57 blend on a great old Magnatone stereo combo amp, with an SF-24 stereo ribbon microphone centered 1-ft back from the amp to capture excellent stereo guitar tones.

 

Recording Electric Guitar with Ross Hogarth & Tim Pierce. Session 8.
Supro combo with 6-inch speaker.

Session 8

This video of an R-121 ribbon microphone on a Supro combo amp shows the amazing tone and size you can get from properly miking a small amplifier.

 

Mark Holdaway

Kalimba – R-122V

Recorded and mixed by Tim Weed
Recorded at Banjambo Studio.

Recording chain: R-122V’s to Prism Orpheus preamps, A/D at 24/96 into Digital Performer 5.13. No EQ or compression.

Kalimba: Two R-122V’s used on four tracks of Kalimba. Positioned slightly off axis 6″ to 10″ from small Kalimbas. Two R-122V’s on Bass Kalimba, one at 6″ centered for proximity effect and one at 5′ directly above.

“Star Hop” (Mark Holdaway)

 

 

 

Pirates of the Caribbean Score

Drum Overhead – R-122V

Score recorded and mixed by Alan Meyerson
Recorded at Sony Scoring Stage, Culver City, CA.

Recording chain: R-122V’s to Grace 801 preamps. Recorded to Pro Tools HD using Digi 192 converters.

Isolated drum tracks excerpted from the Pirates of the Caribbean score. Three drummers (Vinnie Colaiuta, Abe Laboriel Jr. and JR Robinson) playing simultaneously with nothing but one R-122V over each kit and a kick drum mic on each kit.

Drummers: Vinnie Colaiuta, Abe Laboriel Jr., JR Robinson

a) Isolated drums: overhead and kick mics only.

 

b) Same track as “a,” with room mics added.

 

 

Alan Meyerson

Woodwinds – R-122V

Recorded and mixed by Alan Meyerson
Recorded at Air Studios, Lyndhurst Hall, London, England.

Woodwind Section: Two R-122V’s on woodwind overheads.

Recording chain: R-122V’s to Neve 1081 preamps to Apogee 8016 converters to Pro Tools HD. No eq or compression.

From Alan Meyerson’s “Scoregasm” Music Library recordings.