Fab Dupont / Will Knox

Acoustic Guitar – SF-1
Violin – R-121
Banjo – SF-2
Standup Bass – R-122
Drum Overhead – SF-24
Drums, Tom-Toms – R-122
Drums, Kick – R-122V
Drums, Hi-Hat – R-121

Producer: Fab Dupont.  Engineer: Meredith McCandless

When our friend Fab Dupont set out to record singer/songwriter Will Knox’s album “The Matador And The Acrobat” with engineer Meredith McCandless, they decided to track the album entirely with Royer ribbons (except for a condenser on Will’s vocal and a dynamic on the snare). Here is a behind-the-scenes look at the recording process that Fab and company so kindly put together for us.

Fab-tn

 

Vocals & Guitar: Will Knox
Violin: Clayton Mathews
Banjo: Kyle James Houser
Standup Bass: Chris Anderson
Drums: Timur Yusef

Visit Fab’s website at www.fabulousfab.com. Visit Flux Studios at www.fluxstudios.net.

Puremix.net is an educational website featuring a wide assortment of videos on recording, mixing, mastering and much more. Puremix.net was created by Fab Dupont; his partners in Puremix now include Ben Lindell and Ryan West.

 

Gayle Levant

Harp – SF-12, SF-1

Engineers: John Richards and Travis Dickerson.
Recorded at Travis Dickerson Recording Studios, Chatsworth, CA

One SF-12 and two SF-1ʼs on the harp. Recorded through console preamps to Pro Tools.

In Royer’s early days, we asked world-class session harpist Gayle Levant if she would record a song for us for demonstration purposes. She sent a beautiful harp to a local studio, met us there with her husband John Richards, sound checked, and then recorded this beautiful piece of music in one take. Gayle’s talents are matched only by her wonderful personality and generosity.

“Largo” (from the 5th Violin Sonata by JS Bach)

Kevin Shepard – Drum Tracks

Kick Drum –  R-121
Drum Overhead – SF-12
Comparison Tracks

Engineer: Roger Summers
Recorded at Royaltone Studios, Burbank, CA

Session drummer Kevin Shepard playing a Gretsch kit in a large iso booth.

Recording chain: all mics through Neve console preamps, recorded directly to DAT.

 
1. Kick Drum/Room – one R-121 three feet from the front head.

 
 

2. SF-12 overhead, lightly EQ’d to open up highs.

 

3.  C-24 overhead (same position as the SF-12, for comparison)

 

4.  SF-1’s overhead, lightly EQ’d.
(The SF-1 is discontinued, but the active SF-2 sounds identical and has higher output.)

 
 

5.  SF-12 overhead (lightly EQ’d) and one R-121 three feet off the kick drum.

 
 

6. SF-12 overhead and one R-121 three feet off the kick drum. Same track as #5, but with no EQ.