Royer dBooster – In-Line Signal Booster

Guitarist Shawn Tubbs demos a dBooster in his home studio using a Royer R-10 ribbon mic and a Shure SM57 dynamic mic on acoustic guitar (tasty playing!). The dBooster is the industry’s cleanest in-line preamp for studio use and driving long cable runs on live stages.

 

Tim Pierce – Recording Electric Guitar With A Royer R-122V

Tim Pierce has been one of LA’s most prolific and in-demand session guitarists for decades. In this video Tim walks us through his basic home recording techniques (including gear used), builds guitar layers on a track, and demonstrates how he mixes a Royer R-122V and a Shure SM57 to shape and record his guitar tones.


In this video (#2 of 3) Tim digs into some great Hendrix and Stevie Ray Vaughan electric guitar tones, demonstrating how he blends an R-122V and an SM57 to capture all the tone and power his 4×12 cabinet is kicking out.


Tim Pierce – Recording Heavy Rock Electric Guitar with an R-122V and SM57, #3 of 3 video series
In the final video of this 3-video series, Tim plays HEAVY detuned electric guitar and also does some screaming solos. Have some fun and turn this one up loud! Tim shows how he blends an R-122V and an SM57 to capture all the crunch and power of these styles.

FOH Engineer Kevin Madigan using an R-10 & R-121 on live electric guitars

When Lana Del Ray played the Bridgestone Arena in Nashville, FOH engineer Kevin Madigan and guitar tech Carl Lewis took us behind the scenes to show us how they’re using R-10 and R-121 ribbons on the electric guitars. In this video they talk about the sonic impact ribbon mics have on the overall FOH sound and the better musical experience ribbons provide for in-ear monitor users.

Royer Factory Tour

Royer Labs President Rick Perrotta gives a video tour of our Burbank CA factory. Come inside and see how we build ribbon microphones!
Thanks to Musician’s Friend for the video.

Maja And David – Fiddles & Foot Percussion

Maja & David – Fiddles & Foot Percussion

Fiddles both miked with SF-2 ribbon microphones.
Foot percussion – Mojave Audio MA-100 microphones

Signal Chain:
All mics to Universal Audio 8p’s using Neve 1073 mic pre plug-ins. A/D conversion done in the 8p. Recorded to Pro Tools. Recorded in a Kansas City hotel room during Folk Alliance.

Engineers: Dan Ankney and Nathan Heironimus

Maja Kjær Jacobsen and David Boulanger lay down some great fiddle and foot percussion. Things really get moving around 1:30 into the video. Hard to believe this is two people playing when you hear it! 

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Winona Zelenka

Cello – R-122

Engineer/Producer; Ron Searles

In these two videos, Ron Searles uses ribbon microphones to record cellist Winona Zelenka playing an extraordinary 1707 Joseph Guarnerius cello.

Recording chain: R-122’s into True Systems Precision 8 mic pres. Recorded to ProTools in 24/96.

“Six Suites for Solo Cello” (J.S. Bach)
This educational video shows three R-122 active ribbon microphones place in a modified Decca Tree configuration. Engineer Ron Searles discusses the importance of ribbons on bowed instruments, the usefulness of the figure-8 pattern in controlling room reflections, achieving natural sounding recordings using ribbons, and more.
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“Intermezzo e Danza Finale” (Cassado)
Two R-122 active ribbon microphones positioned above the cello.
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Robert Friedrich on Recording The San Diego Symphony

Pianos (dual) – R-122V, R-122
Woodwinds – SF-2
Strings – SF-2
Hall Ambience – SF-24

Recording Engineer: Robert Friedrich
Producer: Erica Brenner

In this video, Grammy-winning engineer Robert Friedrich talks about using ribbon microphones extensively while recording the San Diego Symphony playing “The Carnival Of The Animals.” Of particular interest is his microphone technique on the dual pianos, which were positioned side-by-side and recorded with a pair of R-122V’s and a pair of R-122’s.

Pianists: Jon Kimura Parker and Orli Shaham

Videographer and Photographer: R Chaney

“Carnival of the Animals” (Camille Saint-Saens)

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