B-3 organ – SF-12
Engineer: David Pearlman
Recorded at Rotund Rascal Studios, North Hollywood, CA
One SF-12 off the corner of a Leslie. Recorded direct to DAT.
Piano – SF-12, R-121
Engineer: Dusty Wakeman.
Recorded at Mad Dog Studios, Burbank, CA.
Grand piano in an iso room, lid fully lifted.
Recording chain: SF-12 and R-121’s to Neve 8088 console preamps. Recorded to 20-bit ADAT.
(The level of this track was raised 4 dB over the original source material level.)
One SF-12 and two R-121’s combined; all mics mixed at equal level. SF-12 panned hard left and right, R-121’s panned soft left and right. No EQ, compression or effects.
Piano – SF-12
Engineer & Producer: Russell Dawkins.
Recorded at the University of Victoria – British Columbia.
One SF-12 stereo ribbon mic over a grand piano with the lid removed.
No EQ, compression or effects. The level of this track was raised 3 dB over the original source material level.
Harp – SF-12, SF-1
Engineers: John Richards and Travis Dickerson.
Recorded at Travis Dickerson Recording Studios, Chatsworth, CA
One SF-12 and two SF-1ʼs on the harp. Recorded through console preamps to Pro Tools.
In Royer’s early days, we asked world-class session harpist Gayle Levant if she would record a song for us for demonstration purposes. She sent a beautiful harp to a local studio, met us there with her husband John Richards, sound checked, and then recorded this beautiful piece of music in one take. Gayle’s talents are matched only by her wonderful personality and generosity.
Clarinet – SF-12
Cello – SF-12
Recorded and mixed by Alan Meyerson. Producer: Hans Zimmer.
Recorded at The Newman Scoring Stage, 20th century Fox.
SF-12 stereo ribbon microphone on cello and clarinet. The high, eerie, sweet melody is an overdubbed cello section playing harmonics, recorded with a single SF-12. The clarinet melody was also recorded on one SF-12. From the 20th Century Fox movie “The Thin Red Line.”