{"id":465,"date":"2014-08-11T19:23:37","date_gmt":"2014-08-11T19:23:37","guid":{"rendered":"https:\/\/royerlabs.com\/audiovideo\/?p=465"},"modified":"2018-04-02T19:13:35","modified_gmt":"2018-04-02T19:13:35","slug":"electric-guitar-with-ross-hogarth","status":"publish","type":"post","link":"https:\/\/royerlabs.com\/library\/electric-guitar-with-ross-hogarth\/","title":{"rendered":"Ross Hogarth – Various Isolated Tracks"},"content":{"rendered":"

B-3<\/strong> – SF-24
\nDrums<\/strong> – R-121, SF-12
\nDrum Room<\/strong> – SF-12, R-121
\nBongos<\/strong> – SF-24
\nShakers<\/strong> – SF-24
\nElectric Guitar, Heavy Rock<\/strong> – R-121<\/p>\n

Engineer\/Producer Ross Hogarth<\/strong> was one of the first engineers to ever use a Royer ribbon microphone. He has a large collection of Royers, including early serial numbers of all of our models due to his beta testing everything we’ve ever made. Over the years his contributions have been numerous and invaluable and we count him among our closest of friends.<\/p>\n

Ross gave us the following isolated tracks to help teach engineers what Royer ribbons are capable of doing in the studio.
\n1) Isolated B-3 from the Damon Castillo Band, recorded on an SF-24 stereo ribbon microphone.<\/strong>
\nB-3<\/strong>: SF-24 on top of the Leslie with a Heil PR-30 on the bottom.
\nRecording chain: SF-24 into a Great River MP-2NV preamp, PR-30 into a Chandler preamp.
\nRecorded by Ross Hogarth at Sunset Sound Factory, Hollywood, CA in 2007.<\/p>\n

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