RCA 10001 spot mic and SF-24 room mic on Malcom McNab’s Solo trumpet (RCA 60%, SF-24 40% in the mix).
Brass, French Horn and Bass Trombone recorded on R-122’s with an SF-24 as room mic.
Recording chain: RCA 10001 into a UA 2-610 tube preamp, SF-24 and R-122’s into a Millennia HV-3D preamp. Recorded to Digital Performer HD 192 (at 88.2/192), using the HD 192 converters. TC Electronics M-6000 and Lexicon 960 and 480 reverbs used in the mix. No compression, limiting or EQ used.
“Saloon Music for Bb Cornet and Pit Orchestra” (Bruce Broughton)
Engineer: Dusty Wakeman
Recorded at Mad Dog Studios, Burbank, CA
Recording chain Electric Guitar: Mics into API 312 preamps to Pro Tools.
Close miked R-121 and SM57 on guitar cabinet, mics blended 50-50 in the mix. Recording chain Drums: SF-12 into Neve 1272 preamps, recorded to Pro Tools.
SF-12 four ft high and 5 ft in front of kit. Recording chain Acoustic Guitar: Mics into John Hardy M-1 preamps, recorded to Pro Tools.
R-121 and Naumann M-149 positioned head to head off the 14th fret. Mics blended 50-50 in the mix.
Multi-Instrumental Musician/Engineer/Producer Andy Georges worked at Royer Labs for years and remains a good friend of the company. He created many recordings at home and in Los Angeles studios and you’ll find much of his work in this Library.
1) “My Guitar is on Fire” (Andy Georges)
Recorded and mixed by Andy Georges
Recorded at Andy’s home studio.
SF-24 on an acoustic baritone guitar, ten inches from the 12th fret, blended with a piezo pickup. SF-24 80%, piezo 20% in the mix.
Recording chain: SF-24 into a Royer custom built class A tube preamp. Piezo into a Motu 828 preamp. Compression on both mic and piezo. High shelving roll-off on piezo starting at 4K. Recorded into Digital Performer.
Recorded and mixed by Al Schmitt
Recorded at Capitol Studios (Studio A), Hollywood, CA.
Recording chain: All mics into Upstate Audio preamps and direct to Pro Tools HD at 24/192.
Classical Guitar: Two R-122V’s as main mics on solo classical guitar, approximately 3 ft high, 30 inches apart and 3 ft back from the guitarist. AKG C-12’s as room mics and Sennheiser MKH-800’s as ambient mics.
a) “Presto from Piano Sonata #2 in F major” (Mozart)