The SF-12 gives an excellent pickup of an audience in a live recording. A classic technique for recording an audience is to use several bi-directional microphones above the audience, each positioned so that their fronts face down toward the audience and their backs face the ceiling. The BBC has long used this method. The result is a clean pickup of the audience and a strong discrimination against sounds from the set, particularly if the mics are arranged carefully so that the “dead” sides of the mics face the set.
How would you recommend using an SF-12 for ambience recording of an audience in a live environment?
on January 27, 2016
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