Microphones

The new Royer R-10 utilizes our patented 3-layer protective wind screen system and an internally shock mounted transducer, and ships with a swivel mic mount and carrying case. It’s a great sounding ribbon mic at a price that makes it ideal for live stages and project studios. More

The R-121 ribbon microphone is our flagship microphone. It's everything a ribbon should be -warm, smooth, natural sounding. It's also tough as nails, lightweight, can handle high SPL's and live stage use, and comes with a lifetime warranty. Welcome to the new world of ribbon microphones! More

The R-122 MKII ribbon microphone continues in the lineage of our original R-122, the world's first phantom-powered active ribbon™ microphone. It delivers all of the warm, natural tone of our R-121, but with 13 dB more output, a switchable -15 dB pad, a switchable bass cut, and impedance matching circuitry that makes it compatible with virtually any mic preamplifier. More

The R-122V ribbon microphone is the world's first vacuum tube ribbon microphone. Originally developed in 2001 as a benchmark for testing R-122 designs against, the unique R-122V has evolved into a world class ribbon microphone with amazing depth and reach in the midrange frequencies and a lush-ness you'll need to hear for yourself to believe. More

Royer’s SF-series ribbon microphones combine a warm, natural sound pickup with exceptional detail, nuance and dead-flat frequency response. Stereo SF-series mics are a go-to choice for drum overheads and are exquisite on piano and full orchestra pickup. The mono SF-2 has found its home in the classical arena where it gives extremely natural reproduction of strings, woodwinds and the like.

The SF-2 ribbon microphone is a phantom powered version of our original SF-1 ribbon microphone. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with our exclusive active electronics for ribbon microphones. The SF-2's output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pre's regardless of gain characteristics. The unique electronics and custom designed FET's used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB. More

The SF-12 ribbon microphone is an extremely natural sounding stereo ribbon microphone. With its flat frequency response and outstanding stereo separation and imaging, the SF-12 delivers you-are-there recordings like you've never heard before. More

The SF-24 ribbon microphone has all of the outstanding stereophonic capability and sonic performance of our award winning SF-12 stereo ribbon microphone, with the addition of condenser-level output and impedance matching circuitry. Designed to work with phantom power, the SF-24 makes preamplifier mismatches and gain-related noise a thing of the past. More

The SF-24V ribbon microphone is the pinnacle of our stereo ribbon microphone designs. With the inclusion of vacuum tube circuitry derived from our TEC Award winning R-122V, the SF-24V provides unmatched clarity, detail, midrange reach, and an airiness previously unknown to ribbon microphones. For orchestra, acoustic instruments and all critical stereo applications, the SF-24V is perfection. More

With our TEC Award winning Live Series ribbon microphones, you get greater durability from the ribbon element, allowing you to put ribbons anywhere on stage with complete confidence. Tame high-end harshness and bring Royer's legendary smoothness, warmth and power to your live performances.

The R-121 Live is a ruggedized version of our popular R-121 ribbon microphone. The studio R-121 is tough and has been used on live performances for years, but the increased durability of the R-121 Live gives FOH engineers greater confidence in the ribbon standing up to life on the road. More

The R-122 Live is a road-optimized version of our phantom powered R-122 MKII ribbon microphone. The R-122 MKII Live's output is on par with phantom powered condenser mics, allowing long cable runs with minimal signal loss or RF pickup, and it produces the warm, natural sounds that only ribbon mics can deliver. More