Here's a great technique that might come in handy. Place an R-series mic between the cymbals, pointing the front toward the ride cymbal and the back toward the crash cymbal. The mic should now be at a 90 degree angle to the floor. Ribbon mics are bi-directional, picking up to the front and to the back. A bonus is that they have a strong null-point to the sides. In this configuration, you can get a lot of cymbal coverage without much snare. Try it - you'll be amazed.